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There is another means of representation of the screenwriter’s idea in the film. It is characters of the king, James of Aragon, and his wife Yolanda. Played by Christopher Lee, he is ambiguous in his desire of “fair play” and his doubt and his conflict with his wife Yolanda and his love to Consuelo. The king tries to find some consolation in his belief, but it can only frighten him with the image of future pain in Hell. He does not want to lose Consuelo, but in the same time he is frightened of Hell. So he asks Moses Nachmanides in search of some comfort. Moses Nachmanides says that sin is in the nature of man, but also the possibility to fight it. He cannot give the king consolation, but his wisdom strikes the king. Yolanda is shown as cruel and very insidious woman. She does not love or even respect her husband. She wants to annihilate the Jews. So she is on the Christian side and the king is more or less neutral, but in some episodes he is on the Jew side. So the contrast between the king and the queen is one more means to show the Jews with more sympathy than the Christians. The film explores several main ideas. First of all, it explores the problem of the interaction between the Judaism and the Christianity. This problem is solved with a moral victory of the Judaism. There is another problem in the film: the problem of the nature of god and man. This problems emerges from the topical point of the real life disputation, but the screenwriter used them to discuss the ideas of the salvation, sin and human nature.
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